Nothing is true—everything is permitted. A deliriously virtuosic piece of Crowleyana inspired by the angelic tables of Edward Kelley and John Dee. 

A work of sensuality combining eroticism with mystical transcendence in a world of Surrealistic French decadence. 

A kabbalistic piece for winds dedicated to Jewish cultural theorist Walter Benjamin. In five movements: Peshat, Tzomet, Aliya, Herut, Pardes. 

One of the most enduring of my student pieces, at the crossroads where Ives meets minimalism. A haunting. 

Meditation and prayer transcribed for four clarinets. 

Inspired by the visionary 20th Century shaman Antonin Artaud, this intense, hallucinatory work charts the ritualistic road to madness and beyond. 

Toys, ice skating, candy, spanking, jacks, carousels, slides, snakes and ladders, treehouses, dolls, magic tricks, swings....a vision of children unlike any other. 

A modern reading of the Orpheus legend inspired by French Romanticism and Debussy's Sonata for flute, viola and harp. 

This fragile, elusive work was inspired by the writings of Jewish poet Paul Celan. Perhaps my most beautiful and enigmatic composition, certainly my quietest. 

Witchcraft and sorcery....a spell, featuring perhaps the most difficult music yet written for the bass clarinet. One of the most energetic and outrageously spectacular pieces in my catalog. 

An intense and dramatically lyrical mini-concerto for flute accompanied by live foley sound effects/amplified percussion and electronics.  

The Night of Evil. A Witches' Sabbath in three movements.